Nobody wants to throw a backup slider. They are, definitionally, an accident. But announcers and analysts alike have noted that these unintentional inside sliders — perhaps due to their surprise factor — tend not to get hit. In 2021, Owen McGrattan found that backup sliders, defined as sliders thrown inside and toward the middle of the strike zone, perform surprisingly well.
I’ll add one additional reason these pitches are effective: They move more than any other slider.
I analyzed over 33,000 sweepers thrown by right-handed pitchers in the 2024 season. I found a clear linear relationship between the horizontal release angle of a sweeper and the horizontal acceleration, better understood as the break of the pitch. On average, as the horizontal release angle points further toward the pitcher’s arm side, the pitch is thrown with more horizontal movement.
Josh Hejka, a pitcher in the Philadelphia Phillies minor league system, told me these results corresponded with his anecdotal experience.
“I’ve often noticed — whether in game or in the bullpen — that the sliders I throw arm side tend to actually have the best shape,” Hejka said. “I believe it’s conventional wisdom across baseball that the backup sliders tend to actually be the nastiest.”
Check out all the movement Corbin Burnes gets on this backup slider from last season.
The relationship between horizontal release angle and movement also holds true for sinkers. When a sinker is aimed further to the glove side — for pitchers facing same-handed hitters, this would be a backdoor sinker — the pitch gets, on average, more horizontal movement, as is the case with this pitch from Anthony Bender.
The explanation for the relationship is straightforward enough. When sweepers are thrown to the arm side and sinkers are thrown to the glove side, the pitcher’s grip is such that maximum force is applied to the side of the baseball, allowing for more sidespin. In a 2015 interview with David Laurila, then-Royals pitching coach Dave Eiland described why sliders back up.
“They really get around it; they don’t get over the top and pull down,” Eiland said. “It’s unintentional, more of a misfire, so to speak. If you could do that intentionally, you’d have a decent pitch.”
It isn’t just sweepers and sinkers that show a relationship between release angles and movement. Back in August, I investigated the mystery of the invisible fastball. Why was a pitch like Shota Imanaga’s fastball, with its elite vertical movement and flat approach angle, so rare? I found that vertical release angles mediate the relationship between both variables. A fastball thrown with a flatter release angle gets less backspin, and so to achieve both requires outlier mechanical skills.
Release angles don’t just measure the nature of a grip, they also dictate the location of the pitch. I conclude that where the pitcher aims a pitch changes the way it moves. For fastballs, pulling down on the ball allows for more backspin. For sweepers and sinkers, getting around the ball allows for more sidespin. Analysts attempt to separate “stuff” from “location;” these findings complicate that conversation.
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Before we go any further, it’s important to know what exactly is a release angle. Release angles measure — or, in this case, approximate — the angle at which the ball comes out of the pitcher’s hand. For vertical release angles, anything above zero degrees suggests the ball is pointing upward at release; most vertical release angles, particularly for four-seam fastballs, are negative, meaning that the pitcher is aiming the ball downward at release.
Horizontal angles work the same way, but in the x-dimension. Positive values mean the ball is pointed toward the pitcher’s left; negative values point toward the pitcher’s right. (This is a feature of the original Pitch F/X coordinate system, when it was determined that x-dimension pointed to the catcher’s right.) In any case, release angles, both horizontal and vertical, attempt to capture the exact position of the ball at release. Because they capture the position of the ball at release, they contain information about the pitcher’s aim and, it turns out, the force they’re applying to the ball.
My research finds that there is a relationship between horizontal release angles and horizontal acceleration. In simpler terms, the way the ball is released out of the hand, and therefore where it is aimed, impacts the movement of the pitch.
There are some confounding variables in this specific relationship. The Hawkeye cameras (and, in earlier times, the Pitch F/X technology) report accelerations in three dimensions. These accelerations are measured relative to a fixed point on the field, which happens to be right in front of home plate. Because these accelerations are fixed to one point, the reported values can be biased by the position of release in space. This is far from intuitive, so it might be helpful to consider an example.
Remember that Burnes sweeper from the introduction? It accelerated at roughly 16 feet per second in the x-dimension. Imagine that instead of throwing his sweeper from the mound, Burnes threw it from the third base dugout. It’s the exact same pitch as before — same velocity, same horizontal break — but the release point has completely changed. On a fixed global coordinate system of movement measurement, the acceleration in the x-dimension no longer describes the pitch’s relevant movement; all that sideways movement would instead be measured in the y-dimension.
This is an extreme example to illustrate the point, but on a smaller scale, this fixed point measurement system biases acceleration measurements. In order to fix this bias, accelerations can be recalculated to be relative to the pitch’s original trajectory, removing the influence of the release point on the acceleration value. These calculations come courtesy of Alan Nathan; Josh Hejka rewrote them as Python code, making my job easy.
A slight nuance:
The accelerations given by MLB (ax, ay, az) are biased by pitch location.
To make these values location-agnostic, we need to adjust the acceleration vector to be relative to the initial trajectory (i.e. the initial velocity vector vx0, vy0, vz0).
— Josh Hejka (@hedgertronic) November 14, 2024
Even after accounting for these confounding variables, the relationship between release angles and movement is still present. As the plot shows, it isn’t a particularly strong relationship — when modeled, a two-degree change in horizontal release angle is associated with roughly a foot per second increase in transverse acceleration. But while the relationship is not as strong as that between four-seam fastballs and vertical release angle, it is nonetheless meaningful.
Alternatively, the relationship can be measured using good old-fashioned “pfx_x,” or horizontal movement, which is also measured relative to the pitch’s original trajectory. Why go through all this effort to transform the accelerations? For one thing, I had a good time. And also, isn’t it fun to imagine Burnes throwing sweepers from the dugout?
The plot of horizontal location and horizontal movement, with each pitch colored by its horizontal release angle, illuminates the ostensible lack of a relationship between pitch location — measured by “plate_x” on the plot below — and movement. Draw your attention to the patch of dark blue dots around the -2 line of the x-axis. There are two potential ways for a sweeper to end up two feet off the plate inside. It can be thrown with a horizontal release angle around zero and little sideways movement, or it can be thrown with a negative horizontal release angle and lots of sideways movement.
The same relationship holds true for horizontal release angles and two-seam fastballs after the aforementioned adjustments.
On the individual pitcher level, the relationship is slightly weaker; on average, the r-squared is roughly 0.04 for sweepers, with variation between pitchers on the strength of this relationship. Zack Wheeler’s sweeper movement, for example, appears to be particularly sensitive to release angles:
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Ultimately, analysts attempt to separate “stuff,” defined as the inherent quality of a pitch, from “location,” defined as where the pitch ends up. But what this research suggests is that, to some degree, these two qualities are inseparable. (I wrote about this a bit on my Pitch Plots Substack last September.) Certain pitches generate their movement profiles because of where they’re aimed out of the hand.
These findings naturally lead to deeper questions about the interaction between biomechanics and pitch movement. While there are variables (arm angle, release height, etc.) that are commonly understood to influence movement, these findings suggest that there are even more granular factors to explore.
Is the angle of the elbow flexion at maximum external rotation the most influential variable? Is it hip-shoulder separation? Torso anterior tilt? Pelvis rotation at foot plant? How much do each of these components contribute to pitch shapes?
Thanks to data from Driveline’s OpenBiomechanics Project, it’s easy to model the relationship between dozens of biomechanical variables and the velocity of the pitch. There are about 400 pitches in the database; by attaching markers to a pitcher moving through space, points of interest can be calculated and then compared to the pitch’s velocity.
In this public dataset, Driveline does not provide the movement characteristics of the pitch. But if the force applied to the ball based on the direction of its aim affects the movement of the pitch, it follows that these variables could be measured in a detailed manner. On the team side, KinaTrax outputs provide the markerless version of these data, providing a sample of hundreds of thousands of pitches from a major league population. Imagine the possibilities.
Content Source: blogs.fangraphs.com